A really fascinating concept from a curatorial perspective: neo/crypto-numismatics and how to curate objects that are, by their very definition, intangible. As we move ever forward towards an increasingly digital landscape, how do we develop curatorial methodology and foundations for something with no true instantiation?
The Citi Money Gallery charts over four millennia’s worth of monetary history. The Department of Coins and Medals cares for over one million objects in the Museum’s collection and like any museum with a growing collection, the most pressing questions are what should we collect and where should we put it all? Yet a recent concern for me as the curator of the Citi Money Gallery is not which objects should I select from our vast collection for a new display, but whether we had any suitable objects at all. This may sound like the murmurings of an eccentric curator, but let me explain myself.
If the gallery is to be a record of the changing nature and form of money through the ages, then it is just as important to reflect the modern world as it…
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